工作学习 今日: 0|主题: 12104|排名: 47 

最后发表： micool
回复内容：
the most up-to-date

最后发表： zhengyuzhao
回复内容：
怎么这么多人没用人回应的，全是发贴人自已在唱独角戏，难道这么大的墨尔本居然没有人知道“plumbing”，这个在澳洲很赚钱，但在中国人眼里是低档的活儿？或许答案只有一个，很多中国留学生全是来读高中，本科，硕士的，没有人在这行干过。

最后发表： heyh
回复内容：
哦，初步有个概念了，谢谢

最后发表： qsharon
回复内容：
谢谢楼上两位的回答，我去找找！

最后发表： shadow
回复内容：
贸易逆差是出口小于进口， 由于澳洲出口的工业物料和农产品多以美元计价， 而美元一直较弱， 所以出口的数量可能是逆差的主要原因。虽然贸易影响汇率， 但还要看投资等渠道流动的外汇情况， 以现在美国和中国的情况看， 中期看， 人民币和美元将一起走弱， 通货膨胀将会抬头， 大宗商品价格会上涨， 避险资金和投机投资资金会青睐澳洲这样的资源市场， 澳元很可能在中期保持强势。

最后发表： 男咕噜
回复内容：
那咋买生意啊

一般起步都要大概3万(包培训和设备)

或者有车先给别人干,自己不用设备.

最后发表： chenlocus
回复内容：
看到seek上 c/c++的工作也不少嘛，怎么响应的人这么少？
也找不到C/C++面食题目和讨论？

最后发表： ritz
回复内容：
现在几乎每家银行都可以购汇和存外汇
问你现在存钱的银行好了，省得转来转去

最后发表： 青山
回复内容：
I don't believe God. However, I believe the belief of God improved the equality of all people in some stage of history.

最后发表： KCE
回复内容：
Good opportunity for guys and gals in ADELAIDE, ring them if you are interested and available, definity help in your career
http://jobs.careerone.com.au/tex ... 6+Employment+Centre

最后发表： hqx888
回复内容：
没看到都是OR不是AND吗?

这是说两年以上的澳大利亚的全日制大学或学院的护理课程并毕业了也可以认为英语达到要求的

原文如上

Adequacy of English language for nursing or midwifery practice may be demonstrated by submission of evidence of one of the following:

OR
Evidence of completion of at least two years full-time or full-time equivalent secondary, vocational or higher education in Australia
and
Certification by the senior nurse or midwife academic (i.e. Dean, Head of School or Head Teacher) at the Australian education institution, recognised by the Board and where a nursing or midwifery course was undertaken, that "the applicant for registration/enrolment has been assessed clinically, and in that clinical assessment has demonstrated a knowledge of English language adequate for nursing practice or midwifery practice (as applicable)".

[ 本帖最后由 hqx888 于 5-6-2009 21:43 编辑 ]

最后发表： 大鹏mm
回复内容：
我领导一天到晚也叫进度,但他自己喜欢边玩边干,之前觉得这样干不了活,总催他或者把话题引到问题上来.
现在开始有时候也跟着玩,昨天开会2小时,看他们老照片半小时,聊天半小时,吃零食半小时.
哎,aussie,项目拖吧

最后发表： kennyxue
回复内容：
我觉得首先要学会如何问问题。 把自己的情况能让对方明白，然后问问题具有针对性。 这样对于得到帮助很重要。 站到对方角度，把问题描述明白， 答案就差不多快有了。 到这边很多事情都需要弄清楚，所以先学会问问题吧。

最后发表： ADAD
回复内容：
需然我是路过的

但是楼上的是好同志。

最后发表： everyxm
回复内容：
现在软件开发职位还好找吗？
C语言的女程序员 好不好找呢？
多谢belle_jia！

最后发表： memsgg
回复内容：
这个Medicare levy exemption certificate怎么拿到啊？我是拿457签证的，工资中也被扣了medicare levy

最后发表： MacroJ
回复内容：

最后发表： qingqianlong
回复内容：
sydney city 华人贷款公司招聘，最好有金融工作经验，熟悉计算机网络系统，或asp.net编程，请发邮件到。
kqianlong@gmail.com

[ 本帖最后由 qingqianlong 于 5-6-2009 13:37 编辑 ]

最后发表： helenazy
回复内容：
hehe,  i have an idea. seems its possible to run a company, hiring or just giving working experience certificate to china graduates, and charging commission, hehe.

but even with pr, i m wondering whether the young ppls can win the survival game in oz. u r not ready for the competition in the job market, but still wish u god luck. Though i suggest you not to seek help from so call chinese agent.

最后发表： 幸运使者
回复内容：
谢谢楼上朋友的翻译，我还以为是邮寄申请的意思呢。

最后发表： frozen_heart770
回复内容：
内容已由本人清除。 十分抱歉！

[ 本帖最后由 frozen_heart770 于 18-11-2011 17:21 编辑 ]

最后发表： b0nny
回复内容：
同样关注，不过475自雇，一定要转887吗？

最后发表： AnaCoppola
回复内容：
澳洲人的算术啊。。。。。。唉。。。。由此可见一斑

最后发表： xblues
回复内容：
http://www.youtube.com/v/Z6hLXPoZEPk

Entertainment
3 Jun 2009
In chime with our times: Kit Hungby Nigel Collett
Fridae meets Kit Hung, director of the award winning film, Soundless Wind Chime, which will hit Hong Kong screens in the summer, followed by cinemas in North America, the United Kingdom and Europe.

Ideas drive Wing Kit Hung, old ideas, cuttingedge ideas, concepts refracted by images that give birth to newreflections. He’s fascinated by weaving different things together,traditional Chinese thought, maybe, with the electronic cultures thathold sway across the net, and by juxtaposing things that are ordinaryin their own setting, bringing them together to make themextraordinary. He is always a director with a message, a film makervery much in keeping with the times.



Kit Hung

So when I met him for tea at the Fringe Club in Hong Kong (he drankaerated water to my coffee), to discuss his career and his new film, Soundless Wind Chime(无声风铃), we soon got into philosophy, myth, activism and socialpolitics. But before jumping in too deep here, let me put Kit incontext for those who have yet to have the pleasure of seeing his work.Many of us will know him as one of Hong Kong’s three prominent makersof films with gay themes (the others being Simon Chung and Scud) andthe director of 2001’s award-winning I Am Not What You Want.

Kitwas born and educated in Hong Kong, taking his first degree in Designat the Polytechnic University before turning his back on a commerciallife and launching into film. At the Poly U, he was lucky enough to betaught Hong Kong culture by Yau Ching, a Hong Kong LGBT activist andwriter who helped his personal breakthrough both in terms of the way hecould fit his gay sexual orientation into Hong Kong society and of whathe wanted to do with his life. The University allowed him to make a35-minute film as his graduation project. This, actually his secondfilm (the first was In My Space of Loneliness, his ownfeelings about his then boyfriend collected into a five-minute short,made with his own video camera in 1999), was entitled [:nv:s:b/e peop/e]and was a film exploring human communications in cyber space. Its twocharacters, Moon and Sue, never speak, just type text to each other,yet connect so strongly to each other and to others in Hong Kong thatthe film concludes with the Moon God’s red ribbons linking the entirecity. Made in 2000, the film was shown at the Transmediale Festival inBerlin and was successful enough to encourage Kit to go on, which hedid the next year with I Am Not What You Want, a phenomenallysuccessful movie which held 2nd place for 11 weeks in HMV’s video salesand was shown at a large number of international festivals, winning theSpecial Jury Prize at the Festival ‘De Drake’ in Belgium.

I Am Not What You Wantbroke the mould in more than sales. Much of its popularity can be putdown to the simplicity and charm of the very innocent love affair itshows developing between two very ‘normal’ New Territories boys. It isan infectiously joyous film in which gay love is drawn just like anyother and which has, for once, a happy ending. Audiences, straight andgay, warmed to it.

“Hong Kong is desperate for this kind ofrealistic representation of normal gay life,” Kit told me. “My ambitionwas to make it so ordinary, and I got a lot of comments like ‘I’m notgay, but I like the film’ so I think I succeeded in getting across tomainstream society the idea that gay life isn’t different and that gaypeople shouldn’t feel isolated.” This worked even for his mother, whohad hardly talked to him for the six years since he’d come out; thefilm includes a scene based on what had happened at Kit’s home wherethe family sit in embarrassed silence throughout dinner. When she sawthe scene, his mother telephoned him in Chicago and told him sheunderstood and that she knew now that he’d really achieved something.


Screenshots from Soundless Wind Chime

Kit’s mother could not have ignored his sexual orientation. He came outat school at the age of 19, where he’d always known of his differencefrom most of his classmates, to whom he was a bit of a ‘sissy’. He wasthen exposed to the very camp atmosphere of Metro Broadcast radio,where he worked part time. A search on Yahoo for ‘Gay Hong Kong’ tookhim to a university where for the first time he met a lot of other tongzhi.Kit now embraced his sexuality and threw himself into gay activism. Atthe Polytechnic University, he was cofounder of the ‘Gay and LesbianOrientation Camp’ which gathered over a hundred university studentstogether in the country in 1997, as well as a committee member of theJoint University Queer Union, where he met Kenneth Cheung and Tommy Jaiand which was the foundation for what later became Rainbow Hong Kong,the LGBT drop in centre and activist group in Kowloon. Later, inChicago, Kit founded the first Queer Film Festival at the School of ArtInstitute, a one-off six-day celebration of gay and lesbian film.

Kit was in Chicago due to the success of I Am Not What You Want,which won him a scholarship to study for a MFA in Studio at the Schoolof Art Institute of Chicago. Here, Kit made the 38-minute short Buffering,a story examining long distance relationships and linking technologyand the ordinary world, featuring Hong Kong singer-song writer ChetLam. This won plaudits at film festivals worldwide, including in Turin,and secured him invitations to the Berlin film festival’s BerlinaleTalent Campus in 2003 and 2004, a melting pot of European film talentthat brought him many of the contacts that he has been able to workwith until today. He also began work on Soundless Wind Chime,though this took many years to bring to fruition. Initially, this was aproject involving both Kit and a lesbian friend. They separately wrotealternate scenes involving a lesbian and a gay couple, each allowingthe other to continue the tale. Sadly, his partner dropped out,depressed by the difficulty of interesting commercial backers in themovie and taking her lesbian stories with her, leaving Kit alone withhis gay characters and the struggle to complete the film.

In themeantime, Kit found himself in Switzerland, home of the German Swisswho became and remains his partner. It was a base from which hecontinued to develop his own style in half a dozen music videos forrecording artists from China, Hong Kong (Chet Lam and Kelly Cha) andSwitzerland (the popular Swiss singer- song writer, Signorino TJ) andan opening short for the Amsterdam Film Festival. What links all thesepieces is the desire, both of Kit and of artists like Chet Lam withwhom he works, to break moulds and to escape the clutches of thecommercial hardcore. “I use hi-tech methods to create something raw,touchy” he says. “Especially for Signorino TJ, I developed a style likethe Monty Python cartoons, which he had introduced to me.” He also madevisuals for a Liverpool-based film company for two children’s theatreproductions in Switzerland; this too, mixed multi-media elements intothe form of a TV game involving ten characters played by three peoplewearing masks, typically for Kit linking techniques both ancient andnew.

All the time, though, Kit was pulling together the script, finance and cast for Soundless Wind Chime.The project received new motivation in Switzerland, where Kit’spartner’s parents both died within a short space of time and Kit foundhimself wanting to talk to the dead as though they were still there.So, he wrote new parts of the film, parts which form its heart, toresolve the issues which faced him; issues of loss, of dealing withgrief, of the denial and the need for final acceptance of death.Rebirth features, in a semi-Buddhist sense and in the reincarnation ofa dead person in the form of another who looks the same, maybe is thesame, but has no memory of any former life and so can never be the sameperson. Western viewers may miss some of this on first viewing (forinstance the old couple and the young boy parting at the start of thefilm recalls, to those who know the Chinese story, the old woman whogives the about-to-be reborn soul its soup of forgetfulness before itcrosses the bridge to this world). Inevitably, almost all will missmany of the personal references in this film. Yet the scenes arisingfrom Kit’s own experiences in Switzerland, the old Chinese womandancing, the girl playing the violin, all fit seamlessly into thesurrealist atmosphere of the country he recreates.

“I alsowanted to show an inter-racial relationship like my own,” Kit adds,“something that was part of me. There are so few shows which show this.I can think only of Ang Lee’s The Wedding Banquet and Simon Chung’s Innocentthat do this well. It needs a lot of sensitivity to describe this.” Thetwo leading actors are both outsiders, one a mainland Chinese the otherSwiss. Lu Yulai plays a poor Chinese restaurant worker recently arrivedin Hong Kong and Bernhard Bulling has two roles, as Pascal, a vagabondSwiss thieving for a meagre living in Hong Kong, and Ueli, hisreincarnation (or doppel gänger, perhaps), a gentleshopkeeper in rural Switzerland. The first two characters are alsooutsiders, the third is cut off from his family through grief. All canscarcely communicate in words, hence the title, for the very realcommunication that eventually leads to love between the characters isby means other than sounds, chimes singing from the soul, far moreeffective than mere vocal chords. Pascal dies and maybe is, maybeisn’t, resurrected as Ueli, but how is not important to these themes.Again, Kit breaks stereotypes and, through subconscious linkages,surprises and persuades his audience.

Soundless Wind Chimeis already a success; winning the Best Feature Film, Nuovi Sguardiaward and a special mention under the Special Jury award at the 24thTorino GLBT Film Festival last month as well as a Teddy Award (theofficial LGBT award) nomination at the 59th Berlin International FilmFestival. It is now distributed by Hong Kong’s Golden Scene and willhit Hong Kong screens in the summer, followed by cinemas in NorthAmerica, the United Kingdom and Europe. There’ll be a DVD, it seems, bythe end of the year. By then, Kit will be deep into his next project, amusical film, and is moving for the time being to Hong Kong to work onit. Here he’ll also carry on doing other things as well, includingteaching at the City and Polytech Universities. His next film, he says,will not, for once, be a film with a gay theme, but then Kit doesn’tbelieve his earlier films have just been ‘gay films’ either, ratherfilms about relationships in which the characters happen to be gay.“Gay films have been an opportunity for me,” Kit confesses. “They arenot a limitation. To make something close to you it’s easier to workwith the greater energy and passion that your feelings and experiencebring to the screen. My films have given me the chance to show what Ican do,” he adds. Paradoxically, he believes that the next few years,difficult though they may be economically, may give independent filmmakers opportunities as the big commercial projects find fewer backers.“There’ll be a lot of creative hunger that’ll need filling up.” He forone intends to rise to this challenge.

最后发表： 袋鼠爸爸
回复内容：


先谢谢，总体有印象了、跟此前了解的差不多：

1，OZ的ph.d整体攻读环境不错，

2，入学及奖学金主要看博士导师的态度，

3，以类似工作的形式展开全职科研、时间还是比较紧

4，何时能毕业，主要看得是科研成果能否被有实力的专业刊物认同，要求还是比较严苛。

[ 本帖最后由 袋鼠爸爸 于 4-6-2009 20:42 编辑 ]

最后发表： greatoceanroad
回复内容：
恭喜LZ啊，我也是在这艰难险阻的时候到了澳洲，上了不少网站，职位很少，就业的形式一点都不乐观啊！

最后发表： justinli79
回复内容：
周三晚间外汇市场出现了回调走势。由于前期在基本面因素支撑以及投机因素推动下，各主要非美货币涨幅巨大，并创下年内高点。不过由于周四有重要的英国央行以及欧洲央行利率决议，同时周五还有重要的美国非农就业数据出炉，投资人在此之前保持谨慎，纷纷获利了结前期多头头寸，从而打压了各主要非美货币的走势，晚间出现持续下行态势。后势走势来看，由于目前各非美货币回调幅度仍然十分有限，同时随着全球经济逐渐复苏，投资人的风险偏好情绪将会进一步加强，因此只要非美货币回调过程不有效跌破重要技术支撑位，则后市仍然有望进一步上涨并创出新高。黄金价格则在晚间受到美元上涨、原油价格大跌以及技术性卖盘等因素影响出现了近20美元的下跌。由于黄金此轮上涨幅度较大，出现一定程度回调仍属正常，就目前走势来看黄金后市仍有进一步上涨的可能，值得关注。


澳元兑美元：周三收盘价0.8008，最高0.8263，最低0.7930

　　澳元周三晚间亦出现了持续下行，跌幅近200点，为近来少有的调整走势。由于近期上涨幅度较大，因此短线有调整的需求，预计将有可能进一步下行，投资人可暂时观望。同时，前期澳洲央行对于澳元仍有进一步降息可能的措词亦将令澳元承压。中期来看澳元仍有进一步上涨的空间和可能。就技术分析来看，澳元在日线图上走出看跌吞没形态，将出现进一步回调，下行短线支撑位于0.79的整数关口，再下方运行目标位则位于0.77的整数关口。只要黄金价格不有效跌破该点位，则有望企稳并重新展开上涨走势。50日，200日均线分别位于0.7483，0.7140。

最后发表： justinli79
回复内容：
伟哥还懂面相啊。了不得。

最后发表： 游走的猫
回复内容：
周末就要回国了  想把自己的养老金退回来  有没有朋友知道自己办理的相关程序呢？ BTW：找中介办的话要花好多中介费 本来钱就不算多 想想还是自己办吧！ 请有经验的朋友或者业内人士不吝赐教啊！

急！！！！

最后发表： Sally_Zoe
回复内容：

最后发表： 郁金香
回复内容：
工作职位 还在，有没有人来呀？

最后发表： iceeyes2000
回复内容：
广西东部某县大量招商项目正在招商，包括营造40万亩竹子基地和建年产20万吨浆纸生产线,建设新型旋窑水泥生产线，等等。希望能有人对项目感兴趣投资或者能联系到投资人，会按一定比例的提成给中间人。请不要当成骗子贴，真正有兴趣投资可以去现场看，我叔是负责当地招商工作，所以希望能把信息传开

最后发表： taurusadl
回复内容：
如果LABOR这段时间的经历不写，前后时间不就衔接不上了？

最后发表： zzmmy
回复内容：
据说体力活多，经常在花圃里待着，一身肥料味

最后发表： charade
回复内容：
我登陆两个月之后开始上班。第一天，正好有件事情需要和估价师联系一下，带我的英国小伙子交待了一下大概要谈什么，然后说：你去打个电话吧。估计当时我脸上露出迟疑的神色，他很好心地问：要我帮你打吗？我赶紧说不用不用，然后就硬着头皮打了。记得当时打之前还在纸上大概列了一下说什么。。。我雅思口语可是8分。

不过公务电话其实是很好打的，说什么都有套路。多听听local怎么和别人聊电话自然就会了。我上班一个月左右也就习惯了。后来还经常和business partners在电话里聊天。

最后发表： Ray和Wendy
回复内容：
是不是PR就不需要的？

最后发表： sssddw
回复内容：
我也一样的不过当时是换的比现在低点就是了，我也没有什么经验一切全凭无知，和瞎碰、长期的不敢胡说、但当天的还是有一定的条件可以看到的、当天到底是真涨还是真跌的，大家都知到国外的网上一般是要比国内的早点国内肯定是跟国外的变化而变化的，这样早上在上班前看一下国外的是涨还是跌基本上就可以肯定的判断国内今天的走势了虽是小钱但一天的走势是基本上要不出大的变化趋势在一天之内是一般不会变化的这样就自已可以决定是当天买还是卖了，本人不会做任何分析、但也不会相信专家的，只是亲眼看到当天的真实交易才做决定的。实话实说不懂就是不懂偶然的凑巧不敢瞎编、真诚相待
另外；由于本人是严格按照当时的中行外汇直接复制过来的所以也没有办法放到一个贴子里、真的不懂，怎样才能要把不在同一时间上发的可以放到一个贴子的里的办法，对电脑本身不是太懂、若真有办法能把在不同时间里发的贴子放到一起的话哪也是真的看起来大家方便点，我一定做到，就是真的不知到怎么放，有没有人可不可以帮忙说一下怎么做或怎样做、我会非常感谢
本人发上来的这些澳元相关的贴子只是想让白天或是比较忙点的人可以看到当时的外汇价格一点真实情况共同分享有用最好；没有用的就全当没看、但真的是水平有限不足之处还望各位高邻批评指正一定虑心接受。

最后发表： uspepper
回复内容：
很多鬼子做事情粗枝大叶，过于自信

最后发表： sssddw
回复内容：
我打上去的是国内时间下午的14点15分再么发上去就成了24点15分了、我的电脑是不是有问题了

最后发表： Komodo
回复内容：

人家是07年。。。。。。。